All of DC is a stage and right now there are some serious players in town
Yes I know it is not Poets Day (yet) and your normal
schedule of badly written egotistical blather will resume later this week but I
wanted to quickly throw some letters together and hope they make sense
regarding the wonderful weekend I just had in Washington DC.
Firstly let’s talk about Othello starring Jonno Roberts (no
relation unless he is doing a good show) and Faran Tahir. Sure the play is
named Othello and in theory Faran was the star but it was a good show so in my
mind Jonno get’s top billing J.
I am not going to pretend that I like Shakespeare – hell, I never got to meet
him so how can I, but I am guessing he would have bored the crap out of me a
fair amount of the time unless he had an amazing cast like the one in DC
telling his stories for him. It is ironic that people think that I am hard to
understand and yet go and watch Shakespeare. Forsooth there are many parts of
the bard’s work that are hard to follow given that we speak American English
(well some of y’all do) and not an olde version of the Queens tongue. However even an uncultured ass like me (I
once lived in Brisbane so I lack culture completely) was totally enthralled and
immersed in the STC production of Othello.
I am not a complete Willie Shakes virgin having seen Jonno
(no relation) play with the bard a few times, and this production is my
favorite thus far (no offense to the buttocks of Stacy Keach from the Lear
production). The staging and lighting were awesome in their simplicity and
effectiveness, the cast excellent and Jonno and Faran just wonderful. I went
into the theatre expecting something special from my younger and incredibly
talented brother and was not disappointed in any way at what the
team on stage put together. It might not be short or easy to understand but it
certainly was easy to follow and the journey was well worth the trip.
The next night I happened to get the chance to see 1984
performed by Headlong (a touring company from the UK). A bit like most of y’all
I might have read 1984 in 1984 (funnily enough that is probably about right)
but apart from the concept of big brother watching you in an Orwellian state I
have forgotten everything about the book. Heading in to see this production I had
zero knowledge and zero expectations (apart from the afore mentioned brother
saying it was great) and bugger me was I glad that I went to the show. Talk
about tight, movement queues were scary tight, lighting and effects were, well,
very effective and the cast, an awesome team putting on a fantastic production.
Yes it was a tad confusing, or some might say complex, and (a bit like in
Othello) I laughed where others didn’t laugh and said ‘wow’ a few times but I
was glued to the stage to make sure I didn’t miss a thing.
Both shows completely different and both shows completely
brilliant.
Maybe the one thing that I have with enjoying shows (and
life in general) is I tend to go in looking for the good and/or with no
preconceived ideas. I am sure people got different things out of both
productions than me but that is the beauty of seeing great theatre and great
performances. Interpretation is in the eye of the beholder. All this person
knows is that I would go back and see both shows again, knowing if I did I
would get something different out of the productions each time.
The only bad part of the trip was seeing Jonno’s face up all
over town.
'To thine own self be true', you have to know Shakespeare was a
Poets Day fan J
Interesting review James, I would love see both the productions too, but a little far from NZ. What I like about the current version of Othello is applying relatively modern settings/environment to something that was written many hundreds of years before.
ReplyDeleteAs a George Orwell reader in my youth, 1984 was a powerful novel when we read it at school in the 50’s and the theme has stayed with me all my life. I often wonder if it is not coming true with the drones and their killing by remote control as well as the development of the horrific idealism as represented by ISIS
Jeff
1984 is very relevant today - probably more so than ever before
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